Three Shorts 1: Ordinary Days

Immigrant Child
Madelena Hagdelena
Hooka Talka Walka Talka
Hoka Toka Woka was her name.
She had two teeth in the middle of her mouth,
one pointed east and the other pointed south.
The refrain bounces around my head endlessly, circling, looking for an opening. A crack of sunlight from a sun bright summer car journey, windows blasting fiery hot air, attacking rather than cooling in its ferocity. Breathless wonder at the heat, the sun, the car full of life and vigour.
I belt out the song desperately. Shouting rather than singing, we are all trying to make as much noise as possible. I push the words from the depths of my lungs, force them, sacrificing tune for power. It seems like there are twenty of us crammed in the back seat in my head, but in reality there were probably three. We were finally on our hols, escaping the confines of the wretched, boring city on this road trip to a prairie lake.
We roar into the hot wind, gleeful and vaunting at our superiority over Magdelena. There are only a few we can look down at and we are discovering them with a deep and joyful vengeance.
The car churns down the heated highway, engine roaring and parents woodenly facing the front, ignoring the chanting hordes behind them and the rudeness of our insults to Magdelena. The summer holidays promise endless possibilities of regeneration, reinvention, repair from the bruising damage of school year. The happy refrains of Magedelena would echo across the lake at sunset, hummed slowly as we shift around in clammy sleeping bags, in a tent we insist should be set up outside our chalet. Whooping Magdalena as we run through forests and try not to think about wood ticks and bears, except to scare each other.
Our dentist would never let us have only two teeth. Magdalena probably never even went to the dentist. My cousin already had braces and a metal and leather contraption that she had to strap round her head at night, which made her look terrifyingly like Frankenstein. She loved to chase us and make us scream with fear - I am not entirely sure what we were afraid of if she caught us - contagion from the device? That it would suddenly snap off her head and attach itself painfully and irrevocably to ours? We only knew that we had to get away. It promised, of course, to give her a beautiful jaw alignment. If after all their efforts we had only two teeth our parents would be horrified - we’d be unloved, unwanted, unmarried and unsalvageable. Our potential as bright young second generation immigrants would be sullied. We might end up as agoraphobic graduate students of sociology or something likewise pitiful and obscure. Not shining bright and brave against the prairie sky forever justifying the sacrifices of our parents in their saris and lungis and quiet fights against poverty and hatred. They had chosen to strike out into this brave new world freely, on their own, hoping that it would reap rewards unimagined, but we never would be free like that. We had the weight of their imaginations and expectations to lug around.
Magdalena represented everything that we both feared and ridiculed. She was thick and ugly; for sure she had clammy fat skin, from eating too much poorly processed and tasteless, maggoty pork. Her legs would be bendy and skewed, with hideous toenails and patchy skin that flaked off as she scratched. She was a hag so she’d definitely have long, unruly twisted hair, not glossy and black as we had been taught to aspire to. Her hag hair was nasty and dull, broken and strawlike, rough and wild. She was old and wrinkled, not so much a survivor but a wretched object of scorn and derision - a marker of what never to be. We spend a lot of time sitting around discussing Magdalena.
I’d rather be dead than a hag, at 11. She’d spout gobbledegook, we were sure. Noise that sounded like she wanted to mean something but was unable because she was too stupid. We laughed at Magdalena because she was everything that we were not, scions and princesses, petted and cosseted and given every advantage because of the hope of our future as immigrant children. We were not Magdelena, never to be hags, or speak unintelligibly of nonsense, or be ugly, neglected, poor or smelly. We’d choose better than that. We had been warned of the dangers of failing.
Belting Magdalena endlessly out into the sunlight of prairie sky from the back seat of Dad's new lemon yellow Ford Dart defied the forces to drag us down. It was the battle cry of the immigrant’s child. It did not occur to us that she was an immigrant’s child too.

Winner Winner Chicken Dinner
"I am no bird; and no net ensnares me."
Charlotte Bronte in Jane Eyre
But I am, I am a bird ensnared, Kamala thinks. She watches warily through the window at the pair of pigeons squabbling and preening in the early light this morning; grey, muted, mundane. Sometimes a robin appears, flighty and skittish. Fickle and thoughtless, never means very much at all but just carries on flittering around looking happy, mindless. Kamala is still. A magpie watches. Dark and brooding, waiting for its opportunity, vengeful.
Her cat, Sisyphus, discovered a nest of baby robins in the loft last week, flightless and weak. He dragged the nest down two flights of stairs, snarling, to show off his catch. Then tore off their heads and wings, flinging them madly in a haze of bloodlust. He doubled in size, his fur stood on end and he bared his dripping fangs. She had to hit him with a broom, lock him in the bedroom while she scrubbed out the blood and scooped up their pieces, their fluff and bones. The tears falling from her face made patterns in the mess.
For dinner, she has a plastic package of boneless, skinless chicken pieces to cook, purchased in a moment of ambitious energy in the supermarket. She ought to make something tasty, spicy. She cannot afford to throw it out. She thinks she will have chips, but perhaps the effort will be too much and bread will suffice. Or maybe she will just eat the chicken. Boil it, or eat it raw. Kamala tries to imagine how this is food.
This chicken is from an industrial coop, squashed and bad tempered, her anxiety brewing as the smell of shit and feathers circles closer and closer, not sure what is coming but definite that it won’t be good. This chicken dreamt of freedom in a wheat field, sunshine and grubs galore to peck at leisure, while being force fed her own parents reduced to pellets. She is herded and sprayed and tossed around by forces she can only just perceive but which have total control over every aspect of her life. This will end soon, she thinks. Can’t do it, can’t take any more anyway. Anything is better. Except it isn’t, a smaller cage, a tight and jostled journey, the beckoning gate of the abattoir. The promise of pain.
A chick incubates for 21 days nestled in its protective shell. It fights its way out right from the start for light, space, freedom to stretch and walk. If it makes it this far and isn’t scrambled or fried on toast. Or run through a chopper for unwanted chicks and turned into pigfeed. If she makes it, she will be fed on water and high protein canola wheat, carcinogenic and bitter until further herding, further movement, takes her to be hung, panicked and squawking, by her feet to be slaughtered and boiled. Or just boiled. It doesn’t matter, the end will come quickly however it comes. Resistance is futile. If the chips had fallen differently I might have been an eagle, she thinks. a fierce and muscular desert ostrich, a pelican soaring over vast flatlands and shimmering lakes.
At night, Kamala dreams of flying, soaring around bright emerald islands set in diamond seas, a marvellous wind rushing freely, lifting her higher and away.

The Manipulator
When K. calls, she responds. She dresses each day with this expectation. Today, it is a silk sleeveless fitted dress with a swirling, liquid silk skirt. Oxblood red. She has matching stilletos ready. They hurt her feet so she doesn't wear them until she needs to.
She knows she will do what he asks, although she doesn’t admit this in words, even inside her head. But his words are enough. No-one else can do this, I need you. Nobody understands what needs to be done like you do. I only trust you. She makes up the subtext for herself. She is flattered and easily agrees. As always. She is sure he knows this.
When he looks at her, things change. She imagines his eyes are wells, deep pools of clear water. Clear, simple, committed. She does not think K. is beautiful - far from it. Short and bullet shaped, balding, running to paunch. He wears designer shirts, too closely fitting, without a vest.
But he has his good features and when she needs to, she concentrates on these. A fringe of razorsharp lashes, individual points like starlight. When she squint into the night at a star, the image breaks into splinters and shivers of darkness around the centre of light. His unblinking eyes draw her in. Clean fingernails, manicured. White, even teeth. She knows they are implants but they look real, and that is enough. His clothes are very expensive, as is his perfume. She likes to think about this.
A thrill of fear, every time. What does he see? She wonders. And the lack of a look, the deliberate averting of his gaze, cuts her, every time. “What have I done?” she wails inside like a child. He reduces her to a child, hungry anticipation of validation with a glance. She needs his affection, his admiration. Instead when she slam up against the grey concrete wall of what she thinks is silent disappointment, it knocks the breath out of her. Stunned, and shocked she stands and wait for him to notice her.
Sometimes he does, but usually not. The waiting feels like her skin slowly dragging across rough concrete, abrading and tearing a thousand tiny scratches that add up to a flaying.
So when he calls, she goes. She spends the day working, there is a client, a faceless person, a man.-A meeting. She writes notes, agrees. pretends pleasure at a successful day, she celebrates with the client, one eye on her watch. They laugh and walk outside and admire the open sky and the city. Her feet hurt. They both pretend the client is important. She flirts, K. would want that.
In the evening the client is satisfied and leaves, and after checking her lipstick she goes to tell K., dragging her spoils to lay at his feet. He will be pleased, she hopes. He is in his suite of rooms behind a strong wooden door, a shield against the world, like the entrance to a medieval castle. No-one sees her knock and enter. The door is locked but she has a key.
Inside, K. sits like Einstein or Ernst Stavro Blofeld, hunched over a keyboard in front of several window sized screens. She thinks he has been watching her. She sits on the arm of his executive swivel chair and coos. It works, he turns to her.
K. smoothly insinuates that everyone else is incompetent, and could, should have seen myriad, complex consequences every time he has one of his brilliant ideas. He assumes she knows what he is talking about and she is too insecure to let on that she does not. She marvels at his intellect. She lets him talk. They are secretly ruling the world from in here and she feels privileged to be admitted. She strokes his arm and he smiles, she is gleeful. K. smiles and manages to look relieved, a boyish, charming look, and she wants nothing more than this, to be useful and recognised and valued.
"Shall we?" K. smiles again, letting her in. They move to the couch. there is a blanket, and he is clean and soft. She allows him to do whatever he wants, she is abandoned and happy just to be there.
When they lie together afterwards, there is a softness, a secret recognition between them. At least she thinks there is. He doesn't say anything. No-one else knows they are here. But they hear rustlings, an outside workman going heavily on stairs, trudging with his tools to repair something in the basement beneath them and they hear him on the staircase beneath the window. "Shh," K. whispers. "You'd better go now."
He kisses her, his eyes on his desk. She gets up and dresses, moves to the doorway, listens through the thick wooden door to see if anyone is in the large room outside. K.'s arms are pudgy and pale, lying limply on his stomach; she thinks about his doughy face with what she thinks is affection. His eyes are closed.
She will be back, she is sure. K. will need her. he will be masterminding the world and she will be his instrument, and they will fix everything together. His screen beckons, and he is back at his desk, relaxed in a white shirt with the collar now undone, as she slips out of the room in her high red heels.
Create Your Own Website With Webador